Sunday, June 1, 2008
Oops!
Last night I went to a coffee shop between 6 and 7 o’clock to grade my last batch of papers for the year. In trying to decide what to order (I rarely go to coffee shops or drink coffee, and after a hot, sunny day I was contemplating my first iced cup of the year, but a storm was coming in, the sky had darkened severely, and there was clearly something to be said for a warm mug, not to mention the question of sizes, choice of blends, etc.) I forgot to make mine a decaf. At 2 am I was dancing up a storm in my living room.
Wednesday, May 28, 2008
I Stand By My Longstanding Position
"Peggy Sue Got Married" is the essential overlooked Buddy Holly song. It never shows up on the compilation albums. I haven't heard it in so long that sometimes I feel like I have only imagined its existence.
A Teaching Exercise for Ernest Hemingway’s “The Short Happy Life of Francis Macomber”
I run my short story unit as a discussion class where we collaboratively come up with a close critical reading of the story at hand, which seems to be an effective, largely enjoyable approach. Nonetheless, the students really get a boost of energy when there is a bit of variation in the read-discuss pattern. For example, with Isaac Bashevis Singer’s “Gimpel the Fool,” I divide the class in half, and hold a debate on whether Gimpel is a fool or not. There is plenty of evidence for both sides, and without exception the kids have gotten behind their positions, searching through the texts for passages to support their claims, and often continuing the discussion off and on throughout the semester.
With Ernest Hemingway’s “The Short Happy Life of Francis Macomber” I have had success dividing students into small groups (say threes), and having them come up with slogans for each of the three main characters, Francis, his wife, and Wilson, the hunting guide. In coming up with a catchy motto for each character the students have to understand their behavior and motivation, their fears and goals. I have been quite impressed with the identifying phrases the students (10th graders) have come up with, and the way they have explained them. It’s also for them a lengthy story with a narrative chronology that is somewhat hard to follow, and this exercise gives them clear entrée to the characters and their inner lives, which then allows us to look at the narrative with a fair understanding of the story already under our belts, rather than starting out by tripping over the order of the events.
Here is a sampling:
Francis
Flip-Flop Francis
The first kill is always the hardest
A boy to a man
Too little, too late
In like a lamb, out like a lion
Man up
The brave coward
Wilson
Red face, black heart
Wilson: friend or foe?
Bravery gets results
What can killing do for you?
The great white hunter
Hunt, kill, sleep with someone's wife
Wilson: standing his ground no matter what.
Margaret Macomber
Beauty begets betrayal
Kiss and kill
Murder is (not) my middle name
Easy and sleazy
I shot my husband but I did not shoot the buffalo
(I’m) in it for the money
Money > Love
With Ernest Hemingway’s “The Short Happy Life of Francis Macomber” I have had success dividing students into small groups (say threes), and having them come up with slogans for each of the three main characters, Francis, his wife, and Wilson, the hunting guide. In coming up with a catchy motto for each character the students have to understand their behavior and motivation, their fears and goals. I have been quite impressed with the identifying phrases the students (10th graders) have come up with, and the way they have explained them. It’s also for them a lengthy story with a narrative chronology that is somewhat hard to follow, and this exercise gives them clear entrée to the characters and their inner lives, which then allows us to look at the narrative with a fair understanding of the story already under our belts, rather than starting out by tripping over the order of the events.
Here is a sampling:
Francis
Flip-Flop Francis
The first kill is always the hardest
A boy to a man
Too little, too late
In like a lamb, out like a lion
Man up
The brave coward
Wilson
Red face, black heart
Wilson: friend or foe?
Bravery gets results
What can killing do for you?
The great white hunter
Hunt, kill, sleep with someone's wife
Wilson: standing his ground no matter what.
Margaret Macomber
Beauty begets betrayal
Kiss and kill
Murder is (not) my middle name
Easy and sleazy
I shot my husband but I did not shoot the buffalo
(I’m) in it for the money
Money > Love
Tuesday, May 27, 2008
Dilettante
If ever there were a word whose reputation was deserving of rehabilitation it would have to be dilettante. The connotations with it are usually negative. A dilettante is a dabbler, one who lacks commitment, perhaps a step above a ne’er-do-well. A quick glance at the OED shows that was not always the case.
1. A lover of the fine arts; originally one who cultivates them for the love of them rather than professionally, and so = amateur as opposed to professional; but in later use generally applied more or less depreciatively to one who interests himself in an art or science merely as a pastime and without serious aim or study (‘a mere dilettante’).
I find it interesting that the OED uses the term amateur there, for that is another word that is often used near disdainfully, but its roots are in the Latin word for love. An amateur is someone who does something out of passion rather than for recompense. And think about it, if you apply that to the act of love, who wouldn’t want to be an amateur? The OED identifies dilettante as coming from the Latin word delectare (to delight). Again, what a wonderful quality!
When George Plimpton died, Rachel Blount wrote in the (Minneapolis) Star Tribune, “What athletes created through muscle and reflex, Plimpton translated with wit and keen observation. In that gift, he remains unsurpassed. Plimpton himself said, “There are people who would perhaps call me a dilettante, because it looks as though I’m having too much fun. I have never been convinced there’s anything inherently wrong in having fun.”
Through his writing, editing, publishing, and participation in the pleasures of life Plimpton made this world a richer, more interesting place. If you doubt this, simply watch When We Were Kings, the documentary about Muhammad Ali and George Foreman’s “Rumble in the Jungle.” Plimpton’s pleasure and energy become ours, and in his role of interpreter he gives meaning and order to the film.
It’s enough to make me hope someone someday might call me a dilettante.
1. A lover of the fine arts; originally one who cultivates them for the love of them rather than professionally, and so = amateur as opposed to professional; but in later use generally applied more or less depreciatively to one who interests himself in an art or science merely as a pastime and without serious aim or study (‘a mere dilettante’).
I find it interesting that the OED uses the term amateur there, for that is another word that is often used near disdainfully, but its roots are in the Latin word for love. An amateur is someone who does something out of passion rather than for recompense. And think about it, if you apply that to the act of love, who wouldn’t want to be an amateur? The OED identifies dilettante as coming from the Latin word delectare (to delight). Again, what a wonderful quality!
When George Plimpton died, Rachel Blount wrote in the (Minneapolis) Star Tribune, “What athletes created through muscle and reflex, Plimpton translated with wit and keen observation. In that gift, he remains unsurpassed. Plimpton himself said, “There are people who would perhaps call me a dilettante, because it looks as though I’m having too much fun. I have never been convinced there’s anything inherently wrong in having fun.”
Through his writing, editing, publishing, and participation in the pleasures of life Plimpton made this world a richer, more interesting place. If you doubt this, simply watch When We Were Kings, the documentary about Muhammad Ali and George Foreman’s “Rumble in the Jungle.” Plimpton’s pleasure and energy become ours, and in his role of interpreter he gives meaning and order to the film.
It’s enough to make me hope someone someday might call me a dilettante.
Sunday, May 25, 2008
Against Bestsellers
"If you only read the books that everyone else is reading, you can only think what everyone else is thinking."
—from Haruki Murakami's Norwegian Wood
—from Haruki Murakami's Norwegian Wood
Saturday, May 24, 2008
Twice-Cooked Food
When I fire up the grill, it doesn’t seem worth cooking just one meal, so I usually put on something for another day as well. Twice this spring while cooking up traditional grilling fare like burgers, dogs, and brats, I’ve thrown on a salmon filet or two afterward to use at a later time.
Leftovers have a bad name; they’re second rate, like hand-me-downs. They aren’t something to offer guests other than close friends or family in very informal situations, but a twice-cooked dish seems to me a legitimate meal. A pot of chili, stew, or rice and beans can provide meals for me for a week, and in my youth I was fond of cold pizza for breakfast, but twice-cooked food takes on a form different than the original food. It isn’t mere leftovers. Not only that, the term lends it a certain legitimacy (or at least I like to think it does). A twice-cooked dish sounds more appealing than leftovers—after all, there are already twice-baked potatoes and double boilers. And, the salmon cakes I have been making, golden brown and crispy on the outside while tender and flavorful inside, are definitely guest-worthy if the occasion calls for it, but perhaps more importantly for me, they also please the palates of two young boys.
I use Ron Berg’s recipe from Northwoods Fish Cookery as a guide, though I have been substituting shallots for garlic with great satisfaction, which is saying something coming from a garlic lover. I make a simple dip for it by combining bay powder and mayonnaise. The truth is I don’t know which I like more, the salmon cakes or the zesty mayo.
Leftovers have a bad name; they’re second rate, like hand-me-downs. They aren’t something to offer guests other than close friends or family in very informal situations, but a twice-cooked dish seems to me a legitimate meal. A pot of chili, stew, or rice and beans can provide meals for me for a week, and in my youth I was fond of cold pizza for breakfast, but twice-cooked food takes on a form different than the original food. It isn’t mere leftovers. Not only that, the term lends it a certain legitimacy (or at least I like to think it does). A twice-cooked dish sounds more appealing than leftovers—after all, there are already twice-baked potatoes and double boilers. And, the salmon cakes I have been making, golden brown and crispy on the outside while tender and flavorful inside, are definitely guest-worthy if the occasion calls for it, but perhaps more importantly for me, they also please the palates of two young boys.
I use Ron Berg’s recipe from Northwoods Fish Cookery as a guide, though I have been substituting shallots for garlic with great satisfaction, which is saying something coming from a garlic lover. I make a simple dip for it by combining bay powder and mayonnaise. The truth is I don’t know which I like more, the salmon cakes or the zesty mayo.
Training Log: Slogging
For the third consecutive weekend I got in a run of over five miles, but none of them have been easy. I have yet to get in the groove on any of these outings. My ankles still feel tight and weak (each in its own way), and every mile has offered numerous tempting opportunities to give up. I’m just one week away from the beginning of my 18-week training program, and I’m glad I’ve got those runs in, but I would feel better about starting the official training schedule if I felt a little more at ease during at least some of my workouts.
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