Monday, January 16, 2012
Line of the Week
Sunday, December 18, 2011
Best of 2011
• Best novel: The Minotaur Takes a Cigarette Break by Steven Sherrill. (Actually published in 2001, I believe, but what a wonderful story. The minotaur of Greek mythology is alive and lonely in the American South, living in a small trailer park (where he likes to work on cars in his spare time) and working at a restaurant (where the manager has the brilliant idea of taking M.—as everyone calls him—out of the kitchen to carve prime rib for customers in the dining area). There is plenty here to make a grotesque southern gothic novel—a half man half bull protagonist; a hirsute woman; a gay civil war re-enactor; a jealous weightlifting husband of an underdressed, attractive, and flirtatious neighbor; a dead dog; aimless young men looking for a fight—but what’s amazing about this book is its tone and tempo: a calm and somewhat bemused loneliness even as various threats loom ahead.)
• Biggest book read: A Moment in the Sun by John Sayles (968 pages).
• Best book of poetry: At Lake Scugog by Troy Jollimore. (How did this book not get more attention? I just assumed it would be up for the National Book Award and a Pulitzer and so on. This guy has as big a brain as anyone else writing poetry today. A professor of philosophy, he writes formal, funny, musical poems that engage rather than intimidate the reader.)
• Favorite new cookbook: Trout Caviar: Recipes From a Northern Forager by Brett Laidlaw. (Laidlaw wrote a couple of interesting novels back in the 80s and 90s. Though they were realistic stories set in the Midwest, their Berrymanesque circumlocutions flew in the face of the plain-spoken minimalism that was au courant at the time. When I met him and mentioned the novels, he seemed genuinely surprised that anyone read and remembered them. Now, without warning, and nearly 20 years after his last book of fiction, a cookbook full of hearty recipes and good, clear writing.)
• Best New Yorker Article: “Dr. Don” by Peter Hessler in the September 26 issue. This profile of a small-town pharmacist in Western Colorado is like McPhee at his best.
• Favorite new band: Avett Brothers.
• Favorite new solo artist: Sharon Van Etten.
• Single of the year: “Miss K” by Dear Tick.
• Best movie: Bill Cunningham NYC.
• Best television series on DVD: Slings & Arrows. (Three seasons of a Canadian series about the goings-on behind the scenes at a Stratford-on-Avon type theater. Wonderfully combines Shakespeare, humor, and poignant drama. I actually watched these at the end of 2010, but certainly haven’t seen anything better since then.)
• Best online video: Ultimate Dog Tease.
• Favorite new restaurant: Cajun Potluck in Shoreview, MN.
• Favorite spice: prosciutto.
• Favorite new breakfast food: smoothies.
• Most awesome national landmark visited this year: Crater Lake in Oregon.
• Biggest fish caught: A twelve-inch brown trout in Hay Creek.
• Prettiest fish caught: A couple small brookies in the Poplar River.
• States I attempted to catch trout in this summer: Minnesota, Iowa, Oregon, and California.
• States I was skunked in: 0.
Please note: "New" means new to me; "best" means favorite; "favorite" is self-explanatory.
Wednesday, December 14, 2011
Wednesday, February 23, 2011
Hiatus
Saturday, January 1, 2011
Three Novels I Did Not Finish Reading in 2010
• The Universal Baseball Association, Inc., J. Henry Waugh, Prop. by Robert Coover
• Then We Came to the End by Joshua Ferris
• The Story of Edgar Sawtelle by David Wroblewski
Sunday, December 26, 2010
The Complete List of Subjects Treated in the "Partial List of Subjects Treated" in Garry Wills' Translation of Martial's Epigrams
Saturday, December 11, 2010
Tuesday, November 23, 2010
Line of the (So-Called) Week
Wednesday, November 10, 2010
Faulkner
Wednesday, October 20, 2010
Prose Poet David Shumate on Writing Poetry
Friday, July 30, 2010
Best of the Backlist
Monday, June 28, 2010
Line(s) of the Week
Tuesday, April 27, 2010
Top 5 Books That I Have Lent to Friends and Which Have Not Been Returned
1. White Noise by Don DeLillo. Just as Hemingway was the most influential American prose writer for much of the 20th century, DeLillo has been the most influential novelist of the past two decades (at least among male writers), and by DeLillo I mean the DeLillo of White Noise. I lent this to a girlfriend in my early 20s. Lost it in the breakup. I still think of it as a contemporary novel even though Penguin has put it through nearly half a dozen cover changes since then.
2. The Orchid Thief by Susan Orlean. One of my favorite works of literary journalism. I will be teaching it next year, so just picked up another copy, which has a pale, much less attractive cover than the rich blue of the advance reading copy of the hardcover edition I owned. Also, the trim size of that was slightly unusual if I remember correctly, and it looks like they’ve trimmed the bottom margins of the current paperback to make it a more orthodox size. Too bad.
3. The Good Soldier by Ford Madox Ford. Read this during fall semester of my freshman year in college in a class that was confirming my decision to be an English major. This seems like a book I would really like to re-read. I remember it as a revelation of what a novel could be, and it seems like it would be no less satisfying to read in mid-life.
4. Heft on Wheels: A Field Guide to Doing a 180 by Mike Magnuson. The only book on this list that I’ve read twice, and if I had it on hand I might start in on it again right now. Magnuson’s account of his love affair as a 255-lb., chain-smoking, heavy drinker with bicycling is profane and beautiful. This and Christopher McDougall’s Born to Run are two outstanding books about the compulsions of endurance athletes.
5. Feeding a Yen by Calvin Trillin. The only book on this list I haven’t read in its entirety. I lent it out before I could sit down and read it properly.
Monday, March 22, 2010
Lines of the Week
Saturday, January 16, 2010
Review Review
Without putting too melodramatic a point on it, the printed word is endangered. There have been conversations about the death of the novel, the end of the book, and the miniscule audience for poetry for decades, but it turns out the more fragile species are newspapers and magazines. As these publications fight for their life, slim down, and disappear, one of the first things to go are book reviews and book review sections.
The critic’s craft is an underappreciated one, and its role is diminishing as well. Long ago Rolling Stone drew readers away from the music reviewer’s analysis and reflection by posting bold stars at the beginning of the piece. There was no need to read the text; you could just count the stars. You could probably fit ten current Rolling Stone reviews into one of the reviews during their heyday. Likewise, as Siskel & Ebert’s show gained in popularity, the final decision—a robust “two thumbs up” or a resounding “two thumbs down”—overshadowed the content of their discussion.
Though far more books are still published per year than any human can read, sources for learning and thinking about them are drying up. And among those that remain, few of them are going to give you more than 500 words on a book. I remember interviewing for a freelance reviewing gig with piddling pay for a shortlived tabloid almost two decades ago, and the editor said anybody could review a movie or play, seeming to suggest that most democratic of possibilities: everybody’s perspective is equally valuable.
We now live in an world based primarily on two ideas that the quality of the arts can be mathematically tabulated (if you go to the website Rotten Tomatoes, a movie review website, you will see a score, not unlike a song got on American Bandstand or a wine gets from Robert Parker) or that everyone is a reviewer (say on Amazon.com). What’s missing is the thoughtful analysis of someone who knows the field better than you do, the possibility of learning more about the topic at hand rather than just getting someone’s take on whether something is good or bad.
Well, last night I read a print review of a print book that reminded me of how good a review can be, of how if you give the right reviewer enough space, he or she can reflect, and give you context, and quote at length, and in the end come up with a compelling, thoughtful piece of writing that entertains while informing. I finished reading Wyatt Mason’s piece, “The Untamed: Joshua Ferris’s restless-novel syndrome,” in the February 2010 issue of Harper’s, wanting to know more about this young novelist I’d never heard of, and grateful for Mason’s acute commentary.
Mason is ostensibly reviewing Ferris’s latest, The Unnamed, but he spends the first half of the essay, nearly five full-page columns, discussing his debut, Then We Came to the End. He is in no way entirely laudatory of this earlier work, and he takes other critics to task for the lazy, shorthanded way that they praised it, but in his discussion of it, he brings to the surface qualities that make me want to know more, that in the end make me want to read the novel.
One thing Mason does is quote at length. In the first half of the review, he quotes four separate paragraphs from the novel, and the language in those passages tells me, as much as anything Mason says, that Ferris is a writer I want to spend time with, that he is going to help me see my familiar world in a new and vivid way, something like when I first came upon DeLillo (Ferris’s title is taken from the first sentence of DeLillo’s first novel—important information Mason gives us in the first paragraph of his review).
In the end—or more precisely in the second half of the review—Mason makes it clear that Ferris has fallen prey to the dreaded sophomore slump with The Unnamed, but fortunately, he himself never succumbs to such clichéd shorthand. He quotes from the novel at length again, and explains its unusual premise, comparing it to works by Saramago and Kafka, which gives credence to Ferris even as he comes up short. When he critiques the novel, he does so by quoting shorter passages, and then pointing out clearly and effectively how the prose in those passages lets the storyteller down. You still feel that Mason respects Ferris’s abilities, but that he doesn’t see him executing them as skillfully here as he did in his first book. You also get the idea he will be reading Ferris’s next effort with a hopeful yet critical eye.
As for myself, I will be seeking out Joshua Ferris’s first book Then We Came to the End because of the way Wyatt Mason negatively reviewed his current novel. I encourage you to seek out that review.
Sunday, January 10, 2010
Best Books of the Year
Unlike the New York Times Book Review and other such publications’ year-end lists, which are so stodgy—including only books published in the most recent calendar year—my list is comprised of the best books I read in 2009 regardless of when they were published.
Thursday, November 19, 2009
A Cormac McCarthy List
I thought back on my original approach to teaching it the other day when she told me she had a student complaining that he didn’t understand what was going on in it. If this were an early McCarthy book, I would understand the complaint, but The Road? Every day is more or less the same, and every day the boy is going to ask the same questions, and the dad is going to deal with them in the same way. I’m intentionally making it sound boring or static, because the reasons I love McCarthy have nothing to do with plot. I love the way he uses words and makes sentences. In fact, when I read him, I underline all the words I don’t know and the phrases that blow me out of the water. The words he chooses are lyrical, archaic, earthy, rich. Here’s my list from The Road (with page numbers):
Gryke (11)
Collet (16)
Batboard (17)
Bulldrums (17)
Pipeclayed (18)
Breakfront (21)
Chifforobe (22)
Discalced (24)
Shoddy (as a noun, 28)
Creedless (28)
Feverland (28)
Firedrake (31)
Godspoke (32)
Disclets (38)
Mayapple (39)
Pipissewa (39)
Mastic (48)
Cheroot (56)
Advents (59)
Bracken (61)
Stakebed (61)
Rachitic (63)
Colliculus (64)
Temporal gyrus (64)
Siwash (68)
Truckgarden (68)
Billets (of wood, 70)
Claggy (75)
Skifts (76)
Quoits (76)
Cowled (77)
Catamites (92)
Sedge (94)
Kerfs (98)
Port cochere (105)
Sleavings (106)
Dentil (107)
Haspstaple (109)
Tang (as part of a shovel, 109)
Illucid (116)
Swag (123)
Duff (124)
Chert (129)
Coolingboard (130)
Cakebell (184)
Envacuuming (191)
Slagpools (192)
Lightwires (192)
Loggia (204)
Knurled (209)
Scud (as a noun, 221)
Seacrawl (221)
Isocline (222)
Davits (223)
Turnbuckles (223)
Mae west (uncapitalized, 225)
Gimbaled (230)
Bindle (230)
Pampooties (243)
Salitter (261)
Entabled (261)
Bollards (262)
Gantry (262)
Scarpbolts (271)
Bloomery (271)
Uncalendared (273)
Incinerate (as an adjective, 273)
Ensepulchred (273)
Crozzled (273)
Hagmoss (274)
Counterspectacle (274)
Hydroptic (274)
Wimpled (286)
Torsional (287)
Thursday, October 15, 2009
New Lynx!
Wednesday, August 5, 2009
Coffee Table Display
• 20 books on top, including
5 books of poetry
2 kids books
2 photography books
2 books that were given to me
2 books for school
2 books on fly-fishing
1 library book
1 novel unfinished since spring break
1 borrowed book
4 bought secondhand
• 6 books underneath, including
a world atlas (permanent resident)
a book of poetry
3 books bought second-hand yesterday (1 for school and 1 on fly-fishing)
1 borrowed book that is long overdue
• 4 magazines on top
• 3 magazines underneath
• Also a box of tissues (Puffs with aloe vera), two coasters, various photocopies (on stretching and for school), clippings (recipes), my sunglasses, a calendar, and 40 or so pages of loose-leaf typed poems in neatly-stacked piles (more of which are also in orderly stacks on the floor next to the table).

